Miller has a large studio of private recorder students in the Atlanta area, teaches applied recorder at Agnes Scott College in Decatur, Georgia, and has taught early music and recorder workshops around the Southeast. His "Gnome Assembly Music" for recorder quintet was published by Loux Music Publishing. He has served as president of the Atlanta Early Music Alliance and as president and music director of the Atlanta Recorder Society. Miller has reviewed contemporary and educational compositions for the American Recorder and served as education editor for the same publication. In addition to his position as director of bands at McCleskey Middle School in Marietta, Georgia, Miller was the founding director of the school's recorder ensemble. This ensemble performed three times at the Boston Early Music and Exhibition and received outstanding reviews for their performances of music written specifically for recorder ensemble.
Under Miller’s directorship from 2000 through 2009, the Emory Early Music Ensemble acquired a large collection of early instruments—all replicas of instruments that would have been used in music performed before 1750. The ensemble grew vastly to include over fifty members in a baroque orchestra and a renaissance band. Impressive projects undertaken by the ensemble were the United States premier of a recently discovered Jewish cantata from 1733 and the ensemble’s first invitation to perform as part of Emory’s Founders Week. The ensemble was also regularly featured in the annual Bach Celebration of Redeemer Lutheran Church in Atlanta.
performs regularly with Ritornello Baroque Ensemble in addition to
giving regular solo performances. He works closely with composer Timothy
Broege and has given several premier performances of Broege's
compositions, including a June 2001 performance of Broege's Two-Part Elegy for LaNoue Davenport at the Boston Early Music Festival. Broege’s latest composition for recorder, Sonata da chiesa for
recorder and organ, was dedicated to Miller and received its premier in
Atlanta at St. Bartholomew’s Episcopal Church. Miller is specifically
interested in contemporary chamber music for recorder and collaborates
regularly with other musicians in the Atlanta area. He will soon release
a compact disc recording of the solo and chamber music of Broege and
others. Miller has recorded for Mississippi Public Television and can
also be heard with New Trinity Baroque on the Edition Lilac compact
disc Charpentier: Mess de Minuit. In June 2012, Miller played recorder with the Atlanta Symphony Orchestra in performances of John Adams's A Flowering Tree.
As a conductor, Miller has served as a guest clinician for honor bands and is frequent asked to adjudicate and evaluate other bands' performances. Post-graduate study in choral conducting with Dr. Alan Raines and both graduate and undergraduate study in instrumental conducting with Dr. Thomas Fraschillo enable Miller to work with various genres of music and varying levels of musicians.
Miller is a regular faculty member of the Mountain Collegium Music Workshop and the Atlanta Early Music Alliance Mid-Winter Workshop as a teacher of renaissance and baroque winds, strings, keyboards, and voice. Since 2011, Miller has been director of the Mountain Collegium Workshop. Miller has also served as a workshop clinician for the Triangle Recorder Society, the Bloom Early Music Workshop, and the Memphis Flute Society.
Sonata da Chiesa, Mvt. 2-Timothy Broege Jody Miller, tenor recorder; Jonathan DeLoach, organ. Recorded Oct. 21, 2007, at St. Bartholomew's Episcopal Church, Atlanta, Georgia, USA.
Algues, Mvt. 5-Bernard Andres
Jody Miller, recorder; Cheryl Slaughter, harp. Recorded live Sept.
9, 2006, at Emory University's Schwartz Center for Performing Arts,
Atlanta, Georgia, USA.
Haru No Umi-Michio Miyagi Jody Miller, recorder; Cheryl Slaughter, harp. Recorded live Sept. 9, 2006, at Emory University's Schwartz Center for Performing Arts, Atlanta, Georgia, USA.
Les plaisirs de l'ile enchantée, Mvt. 2--Dominique Probst Jody Miller, recorder; Joan Griffing, violin; Brian Luckett, guitar; Jamil Facdol, percussion. Title of movement is "Danse de Egyptiennes." This music was composed by Probst in 1980 to serve as incidental music for a play written in 1664. Recorded live January 17, 2004, at Emory University's Schwartz Center for Performing Arts, Atlanta, Georgia, USA.
Sonata in F Major--Georg Philipp Telemann Jody Miller, recorder; Susan Patterson, viola da gamba; Christopher Harrell, harpsichord. First movement of the well-known Telemann sonata. Recorded live January 17, 2004, at Emory University's Schwartz Center for Performing Arts, Atlanta, Georgia, USA.
Six Early Songs, Mvt. 7-Timothy Broege Jody Miller, recorder; Sarah Dietrich, percussion; Richard Dietrich, percussion. Recorded Oct. 21, 2007, at Emory University's Schwartz Center for Performing Arts, Atlanta, Georgia, USA.
Songs, Dances & a Chorale, Mvt. 1-Timothy Broege Jody Miller, recorder; Brian Luckett, guitar. Recorded Oct. 21, 2007, at St. Bartholomew's Episcopal Church, Atlanta, Georgia, USA.
Dark Moods-Martha Bishop Jody Miller, recorder; Selena Sanchez, percussion. Recorded live Apr. 7, 2018, at St. Bartholomew's Episcopal Church, Atlanta, GA, USA.
Breakaway-Martha Bishop Jody Miller, recorder; Selena Sanchez, percussion. Recorded live Apr. 7, 2018, at St. Bartholomew's Episcopal Church, Atlanta, GA, USA.